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Enhanced-Raman Spectroscopy |
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Applications of surface enhanced Raman Spectroscopy to the identification of traditional artists’ red dyestuffs Since the mid-1980s, Raman spectroscopy has been increasingly used in the museum and archaeological fields to investigate artists’ materials. On the other hand, the potential of Surface Enhanced-Raman Spectroscopy (SERS) has been left largely unexplored until very recent years, despite its advantages of increased sensitivity and significant quenching of fluorescence, a phenomenon often occurring during the investigation of cultural heritage materials. In
this project, we explore SERS’ enormous capabilities for the unambiguous identification
of artists’ lake pigments. Lake pigments are obtained by precipitation
of deeply colored organic dyestuffs onto inert, finely divided particles
of alumina trihydrate or, alternatively, calcium carbonate or gypsum.
Red lakes were extremely prized for their transparent, yet intense
colors and are often found in paintings and illuminated manuscripts
as thin glaze layers, usually characterized by a high proportion of
oil medium. The dyestuffs themselves have been used for dyeing textiles
since the earliest times of human history, bound to the fibers through
formation of a metal complex with metal salts (called mordants, most
commonly alum – Al2(SO4)·K2SO4·24H2O;
iron sulfate – FeSO4·7H2O - and
tin chloride -SnCl2 ) A very small amount of dyestuff is
necessary to achieve intense deep colors; therefore a characterization
method with enhanced sensitivity is needed to unambiguously identify
the dyestuff. Unfortunately, red lake pigments and dyes commonly employed
in artistic production from antiquity to the mid-nineteenth century
are often extremely fluorescent, an effect that dominates the weak
optical process of Raman scattering.
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